Chinese science fiction has been up and coming for a while now. The work of Liu Cixin, for example, earned the author (or translator, not sure which) a Hugo Award. (I reviewed and found the Three-Body Solution to be full of interesting ideas but bogged down with poorly written dialogue, unexpected shifts in voice and style, stereotypes, and two-dimensional characters.)
And, of course, China is about to (re)discover itself as a major player on the world stage. Complete with the “only our civilization can save humanity” trope, a.k.a., just like the US.
So it was just a matter before Chinese cinema followed suit. Continue Reading
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