OK, so I have been pulling my hair out (what’s left of it) the past few days over trying to understand an email thread with “Draft2Digital.” (Note to self: this occurred in early 2024; evidently, forgot to post it! The first thing that goes is memory, and the second is…umm…)
Let me sum up. (If you’re not interested in a rant-n-rave about the state of the independent publishing industry, you can skip to the part where I list the URL for my new book Bringer of Light… 🙂
“As a science fiction author, I’ve always loved hearing from fans of my fiction,” [US based author Jason Sanford] tells the Guardian. “But now when someone emails saying they loved one of my stories, my first thought is that this is yet another scammer setting me up for the kill.”
I, too, have been contacted repeatedly by people claiming to be literary agents, or to have connections with major publishers or bookstores.
I don’t trust any of them. And that’s sad.
All I want is for people to read and enjoy my work. Not steal it, scrape it, resell or repackage it. And certainly not to think I’m eager to give them thousands of dollars for horrible AI-generated videos.
I feel as if I have two personalities, one which speaks English and one which speaks Japanese. The one which speaks English can never get past being a high school geek. The one which speaks Japanese cannot get past being a “strange foreigner.” The only time I feel comfortable now is when I am teaching. Only there can I be an actor and change who I am any time I want.
“WE will decide the fate of our Country – NOT some out-of-control, Radical Left AI company run by people who have no idea what the real World is all about,” Trump wrote.
Hmm. OK, what did this “Radical Left AI company” want?
US defense officials have pushed for unfettered access to Claude’s capabilities that they say can help protect the country, while Anthropic has resisted allowing its product to be used for mass surveillance or autonomous weapons systems that can kill people without human input.
All we are, is passages, avenues through which other people travel. We are each others’ byways, highways, continuously passing through each others’ lives. Passengers, drivers, hitchhikers all.
Adam’s Stepsons takes the core questions of Blade Runner and distills them into a tight, character-driven drama. It lacks the sweeping visuals of Villeneuve or the noir cityscape of Scott — but it delivers something arguably more intimate:
A quiet horror — and quiet triumph — in the collapse of identity, where the artificial doesn’t just mimic life…
It replaces it.
Over the weekend (my first with no student work to grade — finally! — since April), I decided to ask our “old” friend ChatGPT if it could analyze my sci-fi novella Adam’s Stepsons. Really, I was just curious what it would say.
It said…a LOT.
It correctly interpreted the title (something that many readers apparently didn’t get). It correctly identified the main themes as part of a “post-humanism” sub-genre of science fiction. And once I gave it three short excerpts (from the near the end of the story), it gave a frighteningly accurate thematic and symbolic analysis of the entire novella…just from three short excerpts of a total of about six pages.
I won’t copy all it gave me (you all can go try on your own and see what it says!). But let me share what the program thought were key themes: