I bought her Star Trek novelizations when I was a teenager. At the time, I had no idea that (a) she was an original Trekkie (b) had studied genetics and (c) had won both the Nebula and the Hugo Award (the Nebula multiple times).
She also made it a point to prove that women could write science fiction just as well as men, in a completely male-dominated science fiction landscape.
She managed to finish her final novel less than two weeks before she died.
(Read here if you don’t have access to or don’t care for the NYTimes: https://www.geekwire.com/2019/vonda-n-mcintyre-1948-2019-seattle-science-fiction-star-dies-cancer/)
Chinese science fiction has been up and coming for a while now. The work of Liu Cixin, for example, earned the author (or translator, not sure which) a Hugo Award. (I reviewed and found the Three-Body Solution to be full of interesting ideas but bogged down with poorly written dialogue, unexpected shifts in voice and style, stereotypes, and two-dimensional characters.)
And, of course, China is about to (re)discover itself as a major player on the world stage. Complete with the “only our civilization can save humanity” trope, a.k.a., just like the US.