Chinese science fiction has been up and coming for a while now. The work of Liu Cixin, for example, earned the author (or translator, not sure which) a Hugo Award. (I reviewed and found the Three-Body Solution to be full of interesting ideas but bogged down with poorly written dialogue, unexpected shifts in voice and style, stereotypes, and two-dimensional characters.)
And, of course, China is about to (re)discover itself as a major player on the world stage. Complete with the “only our civilization can save humanity” trope, a.k.a., just like the US.
So it was just a matter before Chinese cinema followed suit. Continue reading
When I first started writing the kernel of what ultimately became Adam’s Stepsons, the multiple/mixed genre story The General in His Labyrinth had just been published, by Nobel laureate Gabriel Garcia Marquez.
I’d been searching for character names, desperate not to have them all sounding like the people I knew at the time (i.e., white guys in my rural hometown).
So “Marquez” sounded like a great name. I had a general in the story. General Marquez fit. Why not. Continue reading