“But decoding and storing memories raise a new set of ethical, moral and legal questions. For instance, who would own these memories after a person has died? Could the police obtain warrants to search through memories? Given that memory itself isn’t completely reliable, could memories be used in lawsuits? How could we ensure that unscrupulous professionals don’t sell or share them?”
Hm, I think I can see another direction this might eventually take…
“Being able to get humans on Mars and actually collecting one of these samples would be such an incredible moment, I would kind of hope it would almost bring us back to the moon days of everyone being glued to the TV.”
Um. Well. OK. TV is dead so we’ll all be watching it streamed on our smartphones, but the point is taken.
This is not a complaint about Netflix in general (well, not necessarily, but anyway). Without Netflix, I might have gone, shall we say, a little…
…this past winter. I’ve been working temporarily in Montréal, several thousands miles of miles apart from my family, and being able to watch movies and older TV shows has been a great escape from the depressing monotony of single life.
But I feel the need to tell Netflix that I do not appreciate their use of the word “original.” Continue Reading
I bought her Star Trek novelizations when I was a teenager. At the time, I had no idea that (a) she was an original Trekkie (b) had studied genetics and (c) had won both the Nebula and the Hugo Award (the Nebula multiple times).
She also made it a point to prove that women could write science fiction just as well as men, in a completely male-dominated science fiction landscape.
She managed to finish her final novel less than two weeks before she died.
(Read here if you don’t have access to or don’t care for the NYTimes: https://www.geekwire.com/2019/vonda-n-mcintyre-1948-2019-seattle-science-fiction-star-dies-cancer/)
Although the book Er Ist Weider Da (Translated into English as “Look Who’s Back,” although literally it should be “He’s here again”) was published in 2012, the German language movie released in 2015, Netflix picked it up in early 2016, I just now stumbled across this movie over the weekend. Probably an algorithmic thing (don’t ask).
Normally, I blog about either family history or science/science fiction. But in this case, let’s just call it science fictiony-historical satire with a dark edge.
It’s good. Scarily good. Hysterically funny in parts. Deeply, darkly disturbing in many others.
And completely misunderstood by most reviewers. Especially the ones writing only in English. Continue Reading