Cromwell at Dunbar 1886 Andrew Carrick Gow 1848-1920 Presented by the Trustees of the Chantrey Bequest 1886 http://www.tate.org.uk/art/work/N01588 (c/o Wikimedia Commons)
Most students of American history are familiar with the standard narrative of New England’s early settlers: the Mayflower, the Puritans, and the quest for religious freedom. But there is a darker, hidden foundation stone buried beneath the soil of early Massachusetts. It is a story born of cold rain, political betrayal, and a brutal military disaster that history has largely allowed to slip through its cracks.
It began on the stormy morning of September 3, 1650, in a muddy marshland just outside the Scottish town of Dunbar…
If you open an early American historical ledger, you will witness a quiet, bureaucratic violence.
On the yellowed pages of parish registers, military rolls, and census tracts, the names of ordinary people undergo a strange, unsettling metamorphosis. A proud Scottish surname is flattened by an English soldier’s hurried quill. A French-Canadian patronym is chopped and mangled to fit the tongue of an Anglo-American land agent. A German-Dutch identity is phoneticized into oblivion by colonial tax collectors.
If you look into your own family history and encounter a sudden, bizarre shift in the spelling of an ancestor’s name, you aren’t looking at a simple clerical mistake.
Spanning nearly three centuries of displacement, warfare, and resilience, Unbowed tracks a grand historical mosaic across five distinct cultural lines. It features ordinary people caught in the violent machinery of changing empires:
Part I: A captive Scottish soldier from the English Civil War surviving a harrowing winter crossing as an indentured asset to a rigid Puritan iron works, his family is later tested by the paranoia of the Salem Witch Trials.
Part II: A family fractured by a sudden, brutal wilderness raid in Saratoga, navigating French captivity and cultural adoption inside Mohawk longhouses.
Part III: A Palatine German community torn right down the middle by the fierce, neighbor-versus-neighbor civil conflicts of the Revolutionary War.
Part IV: A bilingual French-Canadian veteran fights for his place on a shifting border, navigating the psychological scars of Civil War combat in la survivance of Cohoes and Troy.
Part V: An immigrant Irish drayman and his literate son fighting to protect their family from a deadly, volatile ballot-box riot in a gritty, industrializing America.
At its core, this volume is about the universal war over identity. In an expanding nation, institutional erasure didn’t always arrive with a bayonet—often, it arrived with an inkwell.
Consider the real historical journey of the German name Bohnenstiehl, filtered through a Dutch-speaking Albany minister before being reformed by English officials into Bonesteel. Or an Anglo-Irish Bushell, phoneticized into Barsell or Bouschel simply because local clerks had never heard it before.
Our ancestors did not survive by remaining rigid. They allowed their names to be rewritten so that their bloodlines could continue to write themselves. They traded the spelling of their past to purchase their future.
Whether your own roots trace back to the colonial frontier or you simply love a sweeping, high-stakes historical epic, Unbowed is a tribute to the unbroken chain of ordinary people who refused to bend.
Over the next few weeks, I’ll be sharing exclusive behind-the-scenes glimpses into the real archival discoveries that inspired these stories right here on the blog.
Thank you for reading, exploring, and reclaiming these voices with me.
Adam’s Stepsons takes the core questions of Blade Runner and distills them into a tight, character-driven drama. It lacks the sweeping visuals of Villeneuve or the noir cityscape of Scott — but it delivers something arguably more intimate:
A quiet horror — and quiet triumph — in the collapse of identity, where the artificial doesn’t just mimic life…
It replaces it.
Over the weekend (my first with no student work to grade — finally! — since April), I decided to ask our “old” friend ChatGPT if it could analyze my sci-fi novella Adam’s Stepsons. Really, I was just curious what it would say.
It said…a LOT.
It correctly interpreted the title (something that many readers apparently didn’t get). It correctly identified the main themes as part of a “post-humanism” sub-genre of science fiction. And once I gave it three short excerpts (from the near the end of the story), it gave a frighteningly accurate thematic and symbolic analysis of the entire novella…just from three short excerpts of a total of about six pages.
I won’t copy all it gave me (you all can go try on your own and see what it says!). But let me share what the program thought were key themes:
When you are younger you get blamed for crimes you never committed. And when you’re older you begin to get credit for virtues you never possessed. It evens itself out.
Bringer of Lightholds appeal for its imaginative setting and thought-provoking themes. Readers who appreciate a blend of speculative technology and introspective musings on the universe will find this book a stimulating read…For fans of science fiction, M. Thomas Apple’s novel offers a glimpse into a future filled with wonder and complexity.
M Thomas Apple Author Page 