A story must be more than merely a story. It must be an examination, of the human heart, of the mind, of the spirit. Of experience and existence. A simple recapitulation of one’s personal past or the delusional suffering of a dysfunctional suburban American family have no merit. Overcoming the reality we believe we live in, debunking fiction and elevating the truth, that is worthwhile.
Sometimes I wish I could put my thoughts directly onto paper. I think all the time, about everything…I see pictures in my head, pictures of my past — exact details of what I saw and experienced. Déjà-vu often occurs to me. It’s strange, that feeling of already having been someplace. Sometimes I can tell what’s going to happen in a matter of minutes. I can’t stand things like that — they send chills up my spine.
Way back in 2015, my good friend Rami Z Cohen came to me with an idea for a story. He had written two or three scenes about a group of asteroid hunters who stumbled upon something bizarre. The idea of mining asteroids was news at the time (and still is, although probably too expensive right now and not a worthwhile investment until we actually get some people in space who need metals without relying on NASA/ESA/JAXA/ISRO/etc).
So Rami and I began to email ideas back and forth for a few weeks, then we started to flesh out his characters and plot. I wrote a synopsis and outline and we hashed out the background.
The lecture about Irish folk songs [note: at the time, I was in the Gaeltacht, west of Galway, learning Irish language] last night, two nights ago, whichever (time has no meaning in this place), was wrong. Why do we write, the léachtóir asked; to communicate; the poet wants to communicate.
No.
That is not why I write. Sometimes I write for fun, to play at words, to play with feelings. Sometimes I try to work out my problems myself in writing (I can’t). Sometimes I write just to relieve tension. Sometimes I write because I have to, because if I don’t get these words out of me and onto paper they’ll rip their way out.
For all these technological “advances,” we are no better than the ancients. We are still prisoners to our emotions — or to the biological impulses of electricity and hormones whose results we deem emotive.
In that case, you should keep a diary, his advisor suggested. Write every day.
OK, he said.
And bring me a story or two to look at.
OK.
October
These aren’t stories, his advisor informed. These are more like diary entries.
How should I write a story, then? he asked.
Write what you know. Base your stories on people and things around you.
OK.
And bring me another story or two.
OK.
November
The narration isn’t believable, his advisor imparted.
Why? he asked.
It’s too difficult for the reader to identify with the characters. Nobody has a family with nine children.
What should I do?
Go read Sherwood Anderson’s Winesburg, Ohio.
OK.
And bring me a couple more stories.
OK.
December
I don’t get any sense of through-story, his advisor complained.
What do you mean? he asked.
The stories aren’t connected. They’re all different.
Well, what should I do?
Try an internal perspective. Go read James Joyce’s Portrait of the Artist as a Young Man.
OK.
And bring me another story.
OK.
January
This is too abstract, his advisor mused.
What do you mean? he asked.
This isn’t a true plot. The symbolism is too obscure.
It’s a translation of something I wrote for a German class.
You don’t want to be Kafka.
I don’t?
You need real life stories, with real people and real problems.
What should I do?
Go read Raymond Carver’s “Cathedral.”
OK.
And…
Bring you another story?
Two.
February
I think I see the problem, his advisor intuited.
What is it? he asked.
I think you need to experience more life before you can be an effective writer.
What do you mean?
You need to go out into the world and work different jobs, meet different people, move around a bit.
My thesis is due in two months.
So it is. Make sure you give your draft to me next month.
OK.
And…
Another story?
No. Just read my comments and rewrite what you have.
OK.
March
I don’t see the point of adding poetry between the stories, his advisor grumped.
Why? he pondered.
The poems interfere with the prose.
I thought you didn’t like the prose.
I would say you need to add a poetic sense to your prose.
How do I do that?
Try writing poetry. For practice.
…
And finish the rewrite of the draft by next week.
OK.
And print three copies on a laser printer. And buy three of those thesis black cover binders.
OK.
April
Well, the three of us have examined your thesis, and we decided on a grade of B+, his advisor beamed.
…
I know it’s not as high as you wanted, but I argued that the interplay of letters, poetry, and stories woven together formed an interesting kind of metadiscourse narrative depth to the thesis structure.
…
Congratulations.
Thanks.
If you like this, you might enjoy Notes from the Nineties, a book with short stories and poems (the above is the first one, and may or may not be partially based on personal experiences my senior year in college).
I’ve kept a journal (OK, a diary) for many, many years now. It first started in September 1984 as a junior high school 1st year (7th grade) English assignment — each day, we would be given a writing prompt and at the end of the 10-week term (quarterly system back then), the English teacher would look it over and write feedback.
At least, that was the idea. In mid-October my family moved to a county and school system about 60 miles away (it’s more complicated — we couldn’t move in to the new house at first and so my siblings and I were looked after by various relatives, so we didn’t go to school for about nine to ten days). The new school didn’t use journals at all. English class was boring. Grammar and sentence diagramming.
So I kept writing at home, almost on a daily basis in the beginning.
But I’ve been fairly inconsistent over the years. I filled several notebooks, all different sizes and shapes. I stopped writing in one notebook at some point in 1999 when I moved to Japan and started another one. Then some time in 2004 I decided it was a waste of paper not to finish the 1999 one. Then I filled it up and started typing in a Word file. Then I went to Montreal four years ago and started writing in paper notebooks again.
It’s, quite frankly, a great big mess.
But there are some good ideas in these notebooks, and lots and lots of bizarre poems that I swear I do not remember writing. (Also at least half a dozen attempts at “automatic writing.” If you don’t know what that is, look it up.)
So from time to time, I’ll post some bits and pieces here. Just for safe-keeping.
Who knows? I may wind up publishing some of it at some point. Or at least drop some of it into the mouths of future SciFi characters.