[Context: While chaperoning students on overseas study in Perth, Western Australia, I badly burned my feet and back on a beach.]
It is difficult to walk, but today was slightly better than yesterday. Maybe tomorrow will be slightly better than today, and so on. One can only hope; if only life were like that, there would be an end to suffering.
Things just got busy at work and at home. And influenza really is strong this year, as predicted (I found out long ago that teenagers – especially guys – completely ignore suggestions regarding ways of avoiding illness due to an unwavering belief in their invulnerability).
I’ll try to make it up to you over the next couple of days.
In the meantime, here’s an Apple IIe showing the matrix (“all I see is blond…brunette…”).
[Note to self – it’s probably not a coincidence that so many of my better diary entries were written in August. I obviously have more time to think and write at that time of year!]
What strange turns my life has taken. Never would I have in a million years expected to be here, now, in this apartment, typing on an extended keyboard into a Japanese computer, in a Japanese city, listening to the same Cure tape I was listening to back in 1996. Has it actually been 8 years?
Ten years ago I was playing role playing games and drinking in Robbins lounge, getting ready to pack everything I owned into a moving van to move to Ann Arbor. A city I didn’t know, with no money for deposit or rent, or a job. Without a clue. Totally hopeless. Instead of exploring the city, I stayed in my bedroom and played games or typed. What was I thinking? I can’t even get in touch with the few people I met there. Even the ones I knew at ND are either gone back where they came from or no longer answer my emails.
I can still picture them all in my mind. I can still see the rooms I lived in, all the way back home. Even the freshman dorm room which no longer exists, since they tore the building down. How can that be?
It must be this which makes us human; the ability to take the visual and turn it into mental. The capacity to make emotional connections between the world outside and the world inside. The belief that there are two worlds. This makes us human, and at the same time it makes us separate. It is a false belief, that we are not of the outside. Yet there is no returning. Once we start, we can never stop. Even changing languages doesn’t help. We merely start over again from a new perspective, still outside the outside.
A story must be more than merely a story. It must be an examination, of the human heart, of the mind, of the spirit. Of experience and existence. A simple recapitulation of one’s personal past or the delusional suffering of a dysfunctional suburban American family have no merit. Overcoming the reality we believe we live in, debunking fiction and elevating the truth, that is worthwhile.
Sometimes I wish I could put my thoughts directly onto paper. I think all the time, about everything…I see pictures in my head, pictures of my past — exact details of what I saw and experienced. Déjà-vu often occurs to me. It’s strange, that feeling of already having been someplace. Sometimes I can tell what’s going to happen in a matter of minutes. I can’t stand things like that — they send chills up my spine.
Way back in 2015, my good friend Rami Z Cohen came to me with an idea for a story. He had written two or three scenes about a group of asteroid hunters who stumbled upon something bizarre. The idea of mining asteroids was news at the time (and still is, although probably too expensive right now and not a worthwhile investment until we actually get some people in space who need metals without relying on NASA/ESA/JAXA/ISRO/etc).
So Rami and I began to email ideas back and forth for a few weeks, then we started to flesh out his characters and plot. I wrote a synopsis and outline and we hashed out the background.
The lecture about Irish folk songs [note: at the time, I was in the Gaeltacht, west of Galway, learning Irish language] last night, two nights ago, whichever (time has no meaning in this place), was wrong. Why do we write, the léachtóir asked; to communicate; the poet wants to communicate.
No.
That is not why I write. Sometimes I write for fun, to play at words, to play with feelings. Sometimes I try to work out my problems myself in writing (I can’t). Sometimes I write just to relieve tension. Sometimes I write because I have to, because if I don’t get these words out of me and onto paper they’ll rip their way out.
For all these technological “advances,” we are no better than the ancients. We are still prisoners to our emotions — or to the biological impulses of electricity and hormones whose results we deem emotive.