Chinese science fiction has been up and coming for a while now. The work of Liu Cixin, for example, earned the author (or translator, not sure which) a Hugo Award. (I reviewed and found the Three-Body Solution to be full of interesting ideas but bogged down with poorly written dialogue, unexpected shifts in voice and style, stereotypes, and two-dimensional characters.)
And, of course, China is about to (re)discover itself as a major player on the world stage. Complete with the “only our civilization can save humanity” trope, a.k.a., just like the US.
So it was just a matter before Chinese cinema followed suit. Continue Reading

A literary agent just told me (via email) that I need to “ground each scene in reality.”

Since I don’t have access to a printer for a while (on a research stay in Montréal for a while), I decided to write a letter.
It has been said that men write history but women live it.
It’s the end of the spring term (finally) at my university in Kyoto, which means I’ll be getting ready for my yearlong sabbatical in Montreal soon. From September I’ll be back at a North American university for the first time since 1997.
