In that case, you should keep a diary, his advisor suggested. Write every day.
OK, he said.
And bring me a story or two to look at.
OK.
October
These aren’t stories, his advisor informed. These are more like diary entries.
How should I write a story, then? he asked.
Write what you know. Base your stories on people and things around you.
OK.
And bring me another story or two.
OK.
November
The narration isn’t believable, his advisor imparted.
Why? he asked.
It’s too difficult for the reader to identify with the characters. Nobody has a family with nine children.
What should I do?
Go read Sherwood Anderson’s Winesburg, Ohio.
OK.
And bring me a couple more stories.
OK.
December
I don’t get any sense of through-story, his advisor complained.
What do you mean? he asked.
The stories aren’t connected. They’re all different.
Well, what should I do?
Try an internal perspective. Go read James Joyce’s Portrait of the Artist as a Young Man.
OK.
And bring me another story.
OK.
January
This is too abstract, his advisor mused.
What do you mean? he asked.
This isn’t a true plot. The symbolism is too obscure.
It’s a translation of something I wrote for a German class.
You don’t want to be Kafka.
I don’t?
You need real life stories, with real people and real problems.
What should I do?
Go read Raymond Carver’s “Cathedral.”
OK.
And…
Bring you another story?
Two.
February
I think I see the problem, his advisor intuited.
What is it? he asked.
I think you need to experience more life before you can be an effective writer.
What do you mean?
You need to go out into the world and work different jobs, meet different people, move around a bit.
My thesis is due in two months.
So it is. Make sure you give your draft to me next month.
OK.
And…
Another story?
No. Just read my comments and rewrite what you have.
OK.
March
I don’t see the point of adding poetry between the stories, his advisor grumped.
Why? he pondered.
The poems interfere with the prose.
I thought you didn’t like the prose.
I would say you need to add a poetic sense to your prose.
How do I do that?
Try writing poetry. For practice.
…
And finish the rewrite of the draft by next week.
OK.
And print three copies on a laser printer. And buy three of those thesis black cover binders.
OK.
April
Well, the three of us have examined your thesis, and we decided on a grade of B+, his advisor beamed.
…
I know it’s not as high as you wanted, but I argued that the interplay of letters, poetry, and stories woven together formed an interesting kind of metadiscourse narrative depth to the thesis structure.
…
Congratulations.
Thanks.
If you like this, you might enjoy Notes from the Nineties, a book with short stories and poems (the above is the first one, and may or may not be partially based on personal experiences my senior year in college).
I’ve never really experienced the so-called “writer’s block.” Not that I’m bragging…but I often just don’t find I have enough time to write.
By which I mean, writing seriously. It’s easy, however, to find time here and there just to jot down some random thoughts.
(Aside note: if you type really quickly on the WordPress smartphone app, it autocorrect “random” to “radon,” which would put you in an entirely different frame of mind.)
Where’s the Artemis?? What’s up with Mars? And Ceres seriously…?
Sorry I haven’t kept up the story posts, everyone.
I know it’s been almost a month since the last Bringer of Light episode. Work just got dumped on me, and I can barely find time to give my writing students feedback. We switched back to face to face classes…with live streaming on Zoom for students who couldn’t or wouldn’t go back to campus…which is definitely NOT a teaching style I would recommend to anybody, anywhere, ever.
It’s been like laying down tracks in front of an oncoming train. Every day.
There is lots more good stuff for Riss and her crew, I swear. I’ve got drafts up to Chapter 42, and plots to the end after that. Let me see if I can get the next one up for you all in a day or two…
When I was a kid, I devoured books by Jules Verne, in the Classics Illustrated series vocabulary- and grammar-controlled for younger readers.
20,000 Leagues Under the Sea
Voyage to the Center of the Earth
From the Earth to the Moon
Around the World in Eighty Days
Until I was in college, I didn’t even know that he wrote them in French.
Until a few days ago, I didn’t know they were part of a 54-volume set, complete with 4,000 hand-drawn illustrations that are now available online for free.
Hi, everyone. I know it’s been a while since I blogged here. But I have been writing.
And editing. And then writing again. And, yes, in multiple genres. That’s my philosophy. That’s what you get if you read my writing.
I think I’ve probably written about this before, but I find myself increasingly disliking current writing styles. Short paragraphs. Bad grammar. No internal monologue. Things blowing up. Continue Reading
On October 31, 2018, I discovered an unpublished science fiction book in my mother’s dresser. The manuscript was buried under high school and nursing school yearbooks and diplomas.
It’s gratifying to see my novella appreciated, but it would be even better to hear from individual readers.
If you have read Adam’s Stepsons, please don’t hesitate to write what you think about it – even if it’s just a single sentence – on Amazon, Goodreads, your own blog, Twitter feed, or Facebook page, anywhere!
When I first started writing the kernel of what ultimately became Adam’s Stepsons, the multiple/mixed genre story The General in His Labyrinth had just been published, by Nobel laureate Gabriel Garcia Marquez.
I’d been searching for character names, desperate not to have them all sounding like the people I knew at the time (i.e., white guys in my rural hometown).
So “Marquez” sounded like a great name. I had a general in the story. General Marquez fit. Why not. Continue Reading